Hildebrand Gurlitt and Forensic Genealogy
Few
are as fortunate as those researching Hildebrand Gurlitt, his family, the Gurlitt
Gallery and his business operations. If you have been following the news, Hidebrand
Gurlitt is probably a household name. He was an art dealer before, during, and after
the war. Recently his art collection - some acquired legally, other looted pieces,
or hidden to keep safe - valued at over $1.3 billion dollars was discovered in his
son Cornelius Gurlitt’s Munich flat. Hildebrand died 9 Nov 1956. The art included
Nazi confiscated pieces and many classics. There was a copper engraving of a crucifixion
scene by Albrecht DĆ¼rer from the 16th century. For a good briefing on the news visit
The Economist.
What
few realize is that Gurlitt was thoroughly questioned by the Unites States,
France and other world governments, so post-War documents - lists of art
pieces, and correspondence between he and various agencies - is in abundance.
The correspondence included lists of his inventory which identified works of
Picasso, Degas, Chagall, Matisse. All of these collector
favorites passed through the Gurlitt Gallery.
In 1945, when Hildebrand Gurlitt was being questioned for his art
dealings, young Cornelius was only 12 years old and sibling Renate, 10. But it was Cornelius who became the custodian (legal or not) of the
art.
Genealogy
of Hildebrand Gurlitt
The
genealogy and official biography of Dr. Hildebrand Gurlitt is outlined for us in
his 10 page Oath dated 10 Jun 1945. Gurlitt
included in his Oath a “full and complete declaration” of his art, as required by
the post-war investigation. The Office of Military Government, U.S. Zone (Germany)
(OMGUS) were attempting to return the original pieces to their rightful owners.
Visit a3Genealogy Hildebrand
Gurllitt Oath and Genealogy page for his full declaration dated 10 Jun 1945..
The family history Gurlitt provided to OMGUS
spanned several generations and provides researchers substantial information.
What’s Next? Forensic Genealogy
Uncovering
the art pieces is only the first step of the long process of returning the valuable
art pieces to their rightful owners and families. Who were the owners, who are the heirs? What is
the fate of these wonderful pieces of history? These are some of the looming questions.
There
are many post-war letters salvaged in governmental records in France, the US, and
other countries requesting their art to be returned; therefore, owner’s names can be verified for some
pieces. Sometimes addressed envelopes were salvaged in the various post war collections
providing clues of residence for the heir researcher. Gurlitt also kept accurate
records for pieces that were legally acquired, and provided accounts of the Gallery
pieces to the post-war investigators of various countries.
However,
time will seem to stand still, as lawyers, forensic genealogist specialists,
private investigators, and others, research to locate families and heirs.
Note:
In the US, the Gurlitt Investigation information, documents and records are held
at the National Archives and Records Administration; much is in the Ardelia Hall Collection.
Kathleen
Brandt
Researcher,
Forensic Genealogist
Private
Investigator, MO Lic #2012006814
a3Genealogy@gmail.com